An early 17th century continental brass bound oyster veneered coffer fort, the elaborate brass fittings with radiating veneers, the hinged top with brass lock and staple enclosing a storage well and panel to underside, the fall front revealing two drawers, brass carrying handles to the sides, 54 cm x 31 cm x 30 cm h

Tim Wilson (New Zealand, 1954-2020) - Milford Sound, New Zealand, oil on canvas, signed lower left, 45 x 60 cm

A pair of double diamond drop earrings, the round brilliant cut diamond collet set and suspending a knife edge drop terminating in a larger round brilliant cut collet set diamond, unmarked white metal, assumed platinum, total weight 2.2cts (4), 1.8 cm drop, 6mm diam the largest diamond, F/G colour, clarity VS

A Renaissance or possibly ancient hardstone cameo featuring a romanesque head, with diamond surround, in yellow gold setting, size K, 1.2 cm diam

Taxidermy: a scarce late Victorian Australian group - duck-billed platypus (Ornithorhynchus anatinus) and a Laughing kookaburra (Dacelo novaeguineae) in naturalistic setting and glazed case, 56 x 61cm

A polychrome floral painted dressing table with nine drawers, c/w similar painted triptych mirror with bevelled plates - mirror a/f

William Ware (1915-99) - Impressionistic landscape, oil on canvas, signed, 59 x 70 cm

A oak canteen of silver Old English pattern flatware for up to twelve settings (some missing elements), Goldsmiths & Silversmiths Co. Ltd., London 1925/26, 130ozt weighable, but also including a set of twelve dessert knives and eleven forks with mother of pearl handles

J Huggler (1834-1912) a monumental carved Black Forest clock, late 19th century, carved as a seated huntsman reclining on a tree stump, with rifle, centred by a 15 cm dia. clock dial with white and blue enamelled tablet roman numerals, the base carved with deer, squirrel, rabbit, grouse and foliage, signed, the eight day twin train movement striking on a bell, 94 cm h o/all, totally original, dusty, pendulum present but suspension broken, minimal losses to some elements of carvings, no key

A 19th century Continental contre-boulle type inkstand (inlays are wood veneers, not tortoiseshell), c/w two glass inkwells, 35.5 cm wide, to/w an inlaid box (2)